See the About Us page for specifc ADR related credits and details about our producers and engineers.
Each studio will lock remotely with LTC Timecode via Source Connect, ISDN, audio link up via TBU, or utilise the latest technology to stream the picture live (Skype / Google+ / FaceTime etc). Whatever suites the client's requirements - just ask, we're here to help!
Studio 7 layout & dimensions:
8m / 5m studio with 3m / 2m performance area at front
Studio 1 layout & dimensions:
Live room c. 8 meters square
275cm / 288 cm
ADR USEFUL BITS & REQUIREMENTS:
Available in-house Microphones:
Shotgun/Boom: Sennheiser MKH60, Sennheiser 416 & Schoeps CMIT-5U
Lavalier/Lapel: Sanken COS11 and DPA 4060
Large Diaphragm Condenser: Neumann U87
More microphones available to hire upon request
Standard Audio Preferences:
Split-track audio: Dialogue on left channel and music & SFX (M&E) on right channel
Discrete audio stems (if available): Dialogue, SFX & Music
Sample Rate: 48K / Resolution: 24 bit (44.1K/16bit also accepted)
Supported formats: .WAV, .AIFF, .MP3, .MP4, .AAC
ProTools HD Version: 10.8.3 and above
Standard Video Preferences:
Format: .MOV video file with Avid DNxHD compression plus BITC. (For codecs other than DNxHD please allow time for transcoding)
Resolution: 1920 x 1080 (preferred)
FPS: 23.98 / 24.00 / 25.00 / 29.97 / 30.00 (please specify if 29.97 FPS is drop-frame)
Source Connect & Skype available to stream audio & picture remotely
ISDN: Compatible with most codecs including MPEG Layer 2, MPEG Layer 3, G.722, G.711, APT-X
Timecode for remote sync: LTC down one side of ISDN
We would recommend a test-connect prior to any remote session, to avoid any potential connection issues. Please speak to a member of the bookings team about scheduling a free-of-charge test-connect.
See the About Us page for details of our engineers ADR credits
The spot was, in essence, a very simple concept that required quality ingredients to lift it to a complex and emotional place. One vital ingredient was the sound, and SNK delivered on a nuanced, atmospheric and sensitive piece of sound design and mix that delivered on all fronts
Mark Dymond, Film Director | Centrepoint Christmas Campaign 2018
I just wanted to write to say how delighted I was with everything that SNK did for us on our recent job. We completed 20x films and the feedback has been 100% positive.
Fionn Greger, Senior Producer | Amazon
Gifted composers, brilliant sound designers, excellent engineers, all in all the nicest studios in Central London - run by the friendliest team of guys. I can't recommend SNK highly enough!
Simon Gosling, Exec. Producer | Framestore
"We have recorded over 80 episodes of Sarah & Duck with SNK Studios and I cannot recommend them enough. The team are fantastic and make every effort to accommodate our needs. They are especially good at looking after our child actors. The facilities are top of the range and they also have a rather good selection of hot drinks and biscuits to keep you going!"
Sarah Broad, Line Producer | Karrot Entertainment
Unfairly we always tend to brief SNK Studios with short lead times. Despite this, their ability to deliver music on brief is very reassuring. Added to that, their acceptance of involving me in the process is a great credit to themselves. They are very unassuming, yet extremely talented music creators.
Alan Aboud, Creative Director | Aboud Creative
Everybody's delighted, thank you for the great work you guys did!
Mark Lindley, Creative Director | Cogent Elliott